The Plateresque style extended from beginnings of the 16th century until the last third of the century and its stylistic influence pervaded the works of all great Spanish artists of the time. Alonso Berruguete (Valladolid School) is called the “Prince of Spanish sculpture”. His main works were the upper stalls of the choir of the Cathedral of Toledo, the tomb of Cardinal Tavera in the same Cathedral, and the altarpiece of the Visitation in the church of Santa Úrsula in the same locality. Other notable sculptors were Bartolomé Ordóñez, Diego de Siloé, Juan de Juni and Damián Forment.

There were two Schools of special flair and talent: the Seville School, to which Juan Martínez Montañés belonged, whose most celebrated works are the Crucifix in the Cathedral of Seville, another in Vergara, and a Saint John; and the Granada School, to which Alonso Cano belonged, to whom an Immaculate Conception and a Virgin of Rosary, are attributed.

Other notable Andalusian Baroque sculptors were Pedro de Mena, Pedro Roldán and his daughter Luisa Roldán, Juan de Mesa and Pedro Duque Cornejo. In the 20th century the most important Spanish sculptors were Julio González, Pablo Gargallo, Eduardo Chillida, and Pablo Serrano.