The music of Andalusia includes traditional and contemporary music, folk and composed music, and ranges from flamenco to rock. Conversely, certain metric, melodic and harmonic characteristics are considered Andalusian even when written or performed by musicians from elsewhere.

Flamenco, perhaps the most characteristically Andalusian genre of music and dance, originated in the 18th century, but is based in earlier forms from the region. The influence of the traditional music and dance of the Romani people or Gypsies is particularly clear. The genre embraces distinct vocal (cante flamenco), guitar (toque flamenco), and dance (baile flamenco) styles.

The Andalusian Statute of Autonomy reflects the cultural importance of flamenco in its Articles 37.1.18 and 68:

Guiding principles of public policy: 18th The preservation and enhancement of the cultural, historic and artistic heritage of Andalusia, especially flamenco.

Also within the Autonomous Community (of Andalucia) is the exclusive competence in knowledge, conservation, research, training, promotion and dissemination of flamenco as a unique element of the Andalusian cultural heritage.

Andrés Segovia (left), the musician who introduced the modern classical guitar to large audiences; Andalusian José María Ventura Casas  is regarded as the father of the modern Catalan sardana.

Fundamental in the history of Andalusian music are the composers Cristóbal de Morales, Francisco Guerrero, Francisco Correa de Arauxo, Manuel García, Manuel de Falla, Joaquín Turina, and Manuel Castillo, as well as one of the fathers of modern classical guitar, the guitarist Andrés Segovia. Mention should also be made of the great folk artists of the copla (music) and the cante hondo, such as Rocío Jurado, Lola Flores (La Faraona, “the pharaoh”), Juanito Valderrama and the revolutionary Camarón de la Isla.

Prominent Andalusian rock groups include Triana and Medina Azahara. The duo Los del Río from Dos Hermanas had international success with their “Macarena”, including playing at a Super Bowl half-time show in the United States, where their song has also been used as campaign music by the Democratic Party. Other notables include the singer, songwriter, and poet Joaquín Sabina, Isabel Pantoja, Rosa López, who represented Spain at Eurovision in 2002, and David Bisbal.